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"Rot! Sometimes I think, Millie, you've lived in a wood all your days. Everyone does it these times. We're all pirates. She's got more than she knows what to do withwe haven't any, She likes you better than any one. You've been working for her like a slave."
For both Grace Talbot and Jane Ross the new thing was the only thing that mattered. When you listened to them, or read them you would suppose that printing had been discovered for the first time somewhere about 1890 and in Manchester. Martha Proctor, less brilliant than the other two, had a wider culture than either of them. The first glance at her told you that she was a journalist, tall, straight-backed, her black hair brushed back from a high forehead, dressed in tweeds, stiff white collars, and cuffs, wearing pince-nez, she seemed to have nothing to do with the prevalent fashion. And she had not. Older than the other two she had come in with the Yellow Book and promised to go out with Universal Suffrage. She had fought her battles; in politics her finest time had been in the years just before the war when she had bitten a policeman's leg in Whitehall and broken a shop-window in Bond Street with her little hammer. In literature her great period had been during the Romantic Tushery of 1895 to 1905. How she had torn and scarified the Kailyard novelists, how the Cloak and Sword Romances had bled beneath her whip. Now none of these remained and the modern Realism had gone far beyond her most confident anticipations. She knew in her heart that her day was over; there was even, deep down within her, a faint alarm at the times that were coming upon the world. She knew that she seemed old-fashioned to Jane Ross and her only comfort was that in ten years' time Jane Ross would undoubtedly in her turn seem old-fashioned to somebody else. Because her horizon was wider than that of her two companions she was able to judge in finer proportion than they. Fashions passed, men died, kingdoms fell. What re[Pg 43]mained? Not, as she had once fondly imagined, Martha Proctor.
Henry said, "I'm just as proud as I can be."
"Homesickness and indigestion and general confusion," he answered. "You don't look as though you'll cry."
The door opened and in came Major Mereward; he looked as usual, untidy, with his hair towselled, his moustache ragged and his trousers baggynot a military major at allbut now a light shone in his eyes and his eyebrows gleamed with the reflection of it. He knew that Millie was his friend, and coming close to her and stammering, he said:
"Nodon'tdon't let me go like this. Don't" Then he looked at her face.
There was something in the air of Cladgate with its brass bands, its over-dressed women, its bridge and its dancing.
Millie called both these men adventurers. There she was unjust. Major Miles Mereward was no adventurer; he was simply an honest soldier really attracted by Victoria. Honest, but Lord, how dull!
One of the deep differences between brother and sister was that while Millie was realistic Henry was romantic. He could not help but see things in a coloured light, and now when he started out for his first morning with his Baronet London was all lit up like a birthday cake. He had fallen during the last year under the spell of the very newest of the Vers Librists, and it had become a passion with him to find fantastic images for everything that he saw. Moreover, the ease of it all fascinated him. He was, God knows, no poet, but quite simply, without any trouble at all, lines came tumbling into his head:
"Christ! . . . You shall get it for that!"
He did expect a great deal; with every step excitement beat higher. Their sudden reappearance when he had thought that he had lost them seemed to him the most wonderful omen. He believed in omens, always throwing salt over his left shoulder when he spilt it (which he continually did), never walking under ladders and of course never lighting three cigarettes with one match.
"Ellen and Clarice."
Henry said nothing. He was shaking from head to foot.
[Pg 316]
When they were in Shaftesbury Avenue, Henry said, very gently:
"Of course," said Millie, "it entirely remains to be seen whether I'm up to the job. I'm not even sure that I can manage the correspondence, I'm almost certain that I can't manage the servants. The housekeeper hates me alreadyand then there are the sisters."
She was a bad housekeeper, and thoroughly complacent over her incompetence, and it was this incompetence that irritated Henry. Somehow to-night there should have been a gracious offering of the very best the place could afford, with some silence, some resignation, some gentle evidence of affection. But[Pg 204] it was not so. Duncombe was his old cynical self, with no sign whatever of the afternoon's mood.
"What I feared last Wednesday," he said, "has already come true."
"Yes, miss," he said, grinning at her in that especially confidential way that he had with those whom he considered his friends.
Very strange the part that Ellen played in all this. That odd woman made no further demonstrations of affection; she was always now ironically sarcastic, hurting Millie when she could, and she knew, as no one else in the place did, the way to hurt her. Because of her Bunny came now much less to the house.
I'm dancing my legs off. Yesterday, I'm ashamed to say, I danced all a lovely afternoon. The Syncopated Orchestra here is heavenly, and Bunny says I two-step better than any one he's ever known.