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INTRODUCTORY.

One of the last visits we paid before leaving London for a week in Paris was to the South Kensington Museum. Think of the mockery of giving one hour to such a collection of works of art and wonders of all kinds! Why should I consider it worth while to say that we went there at all? All manner of objects succeeded each other in a long series of dissolving views, so to speak, nothing or next to nothing having a chance to leave its individual impress. In the battle for life which took place in my memory, as it always does among the multitude of claimants for a permanent hold, I find that two objects came out survivors of the contest. The first is the noble cast of the column of Trajan, vast in dimensions, crowded with history in its most striking and enduring form; a long array of figures representing in unquestioned realism the military aspect of a Roman army. The second case of survival is thus described in the catalogue: "An altar or shrine of a female saint, recently acquired from Padua, is also ascribed to the same sculptor [Donatello]. This very valuable work of art had for many years been used as a drinking-trough for horses. A hole has been roughly pierced in it." I thought the figure was the most nearly perfect image of heavenly womanhood that I had ever looked upon, and I could have gladly given my whole hour to sitting--I could almost say kneeling--before it in silent contemplation. I found the curator of the Museum, Mr. Soden Smith, shared my feelings with reference to the celestial loveliness of this figure. Which is best, to live in a country where such a work of art is taken for a horse-trough, or in a country where the products from the studio of a self-taught handicraftsman, equal to the shaping of a horse-trough and not much more, are put forward as works of art?

Another day, after going all over Dudley House, including Lady Dudley's boudoir, "in light blue satin, the prettiest room we have seen," A---- says, we went, by appointment, to Westminster Abbey, where we spent two hours under the guidance of Archdeacon Farrar. I think no part of the Abbey is visited with so much interest as Poets' Corner. We are all familiarly acquainted with it beforehand. We are all ready for "O rare Ben Jonson!" as we stand over the place where he was planted standing upright, as if he had been dropped into a post-hole. We remember too well the foolish and flippant mockery of Gay's "Life is a Jest." If I were dean of the cathedral, I should be tempted to alter the J to a G. Then we could read it without contempt; for life is a gest, an achievement,--or always ought to be. Westminster Abbey is too crowded with monuments to the illustrious dead and those who have been considered so in their day to produce any other than a confused impression. When we visit the tomb of Napoleon at the Invalides, no side-lights interfere with the view before us in the field of mental vision. We see the Emperor; Marengo, Austerlitz, Waterloo, Saint Helena, come before us, with him as their central figure. So at Stratford,--the Cloptons and the John a Combes, with all their memorials, cannot make us lift our eyes from the stone which covers the dust that once breathed and walked the streets of Stratford as Shakespeare.

I have not generally given descriptions of the curious objects which I saw in the great houses and museums which I visited. There is, however, a work of art at Longford Castle so remarkable that I must speak of it. I was so much struck by the enormous amount of skilful ingenuity and exquisite workmanship bestowed upon it that I looked up its history, which I found in the "Beauties of England and Wales." This is what is there said of the wonderful steel chair: "It was made by Thomas Rukers at the city of Augsburgh, in the year 1575, and consists of more than 130 compartments, all occupied by groups of figures representing a succession of events in the annals of the Roman Empire, from the landing of ?neas to the reign of Rodolphus the Second." It looks as if a life had gone into the making of it, as a pair or two of eyes go to the working of the bridal veil of an empress.

Little mistakes sometimes cause us a deal of trouble. This time it was the presence or absence of a single letter which led us to fear that an important package destined to America had miscarried. There were two gentlemen unwittingly involved in the confusion. On inquiring for the package at Messrs. Low, the publishers, Mr. Watts, to whom I thought it had been consigned, was summoned. He knew nothing about it, had never heard of it, was evidently utterly ignorant of us and our affairs. While we were in trouble and uncertainty, our Boston friend, Mr. James R. Osgood, came in. "Oh," said he, "it is Mr. Watt you want, the agent of a Boston firm," and gave us the gentleman's address. I had confounded Mr. Watt's name with Mr. Watts's name. "W'at's in a name?" A great deal sometimes. I wonder if I shall be pardoned for quoting six lines from one of my after-dinner poems of long ago:--